Silent Scream

by Ioana Iorgu (JO)

Silent Scream by Ioana Iorgu (JO)
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.

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Music Licensing Collective

by Jonathan Segel

Music Licensing Collective by Jonathan Segel
Songwriters and composers, lend me your ears/eyes/brains for 20 minutes here, this is IMPORTANT and critically timely. And it affects writers globally, if your music is streamed in the US. Please take time to read this and research a bit.

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No Turning Back

by Daniel Olert

No Turning Back by Daniel Olert
I think, at heart, I was always a musician. I would always have a tune in my head and would spend my free time messing with an instrument or audio software. My heroes where rock stars. However, as I grew older, I felt pressure on myself – from both myself and from others – to fit into a certain expectation.

I wanted to live up to those expectations, so music became secondary. I pursued a degree in engineering to live up to those expectations, but I never felt like I fit in. I continued my musical development after classes as an outlet, but it wasn’t enough. Upon graduating, I realized that there was a difference between who I was trying to be and who I actually was, so I began a musical journey of finding myself.

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The Secrets Behind

by Lauren Beeler

The Secrets Behind by Lauren Beeler
Let’s start this with a little bit of math. What do you get when you solve the equation below:

The death of your innocence
+ the trials of adulthood
+ dark humor as a coping mechanism
= ???

That’s right! You get my album Dixie Plaza.

As someone who has always wanted to finally get myself together and make an album, I never realized that sometimes it takes your worst moments to create something that you are genuinely proud of in the end result.

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Beast Folk: a Band, Not a Genre

by DT Jackson

Beast Folk: a Band, Not a Genre by DT Jackson
When Beast Folk formed in 2018, we were not called Beast Folk. It was a melding of the minds of a few friends who frequented Darrell’s Tavern in Shoreline, WA. I was slated to play the Hybrid Festival in Everett. Being an acoustic performer engaged in an event that mostly revolved around metal was a jarring task of fear management. I needed a band.

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Buy More Chewing Gum

by Adam Majdecki-Janicki

Buy More Chewing Gum by Adam Majdecki-Janicki
We live in funny times.

The Artist writes his best song for seven years, suffers mental breakdowns, heartbreaks, crazy life situations, misunderstandings, self-doubt, rehabs, and other things that people might encounter in 7 long years. The song is finally ready. He records it. It takes a week. He releases it. Nobody buys it.

In the meantime, The Kid makes a beat on his iPhone; it takes him 3 minutes. He drops it. Someone buys it for $50, to rap about „bitches” over the mindless loop. The Kid buys more chewing gum.

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The Evolution of the Sick Bookies

by Sick Bookies

The Evolution of the Sick Bookies
We are Sick Bookies from Lincoln, UK. For our second album, Analogue Viral, our bass player Les drew a comic strip about our band. Previously only available as a limited edition comic book coming with the CD, we now proudly present it for the first time digitally.

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Pillowsnake’s Big Puff Piece (An Intro)

by Pillowsnake

Pillowsnake's Big Puff Piece (An Intro)
This is a generic blog post introduction written by yours truly, Jacob La Follette. Pillowsnake is I, 23 and representing South Texas.

You know that thing in your pocket you don’t make phone calls with that isn’t your penis? I use that to make music.

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Future Nostalgia

by Catherine Swan

Future Nostalgia by Greg Connors

Photo By Gretchen Pellaton

Recently I had the opportunity to interview Greg Connors about his new single “Future Nostalgia.” As I was listening, I was so drawn into the track, which prompted further listening to Connors’ vast cannon of eclectic material. I found his songs speak to me in a familiar voice, both vulnerable and comfortable. His melodic, yet ‘cut the crap’, self-styled phrasing dances with a deliberately off-kilter, sweetly angular guitar motion.

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The Number Of The Beast

by Chris Olley (Six By Seven)

The Number Of The Beast by Chris Olley of Six By Seven
“Are you gonna be ok speaking to him?” she says.

“Yeah sure, why?” I say.

“It’s just that some people totally freak out when they meet him,” she says.

I’m standing outside of a studio door at BBC 6 music, and the nice girl who is chaperoning me is asking if I’m gonna be ok meeting Bruce Dickinson.

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