On our sophomore full-length album, “No Easy Way Out,” we examine tragedy underneath a bed of pulsating drone-rock following the murder of our bass player Aron Christensen in 2022, inspired by artists like Spacemen 3, The Velvet Underground, and The Brian Jonestown Massacre.
We do a lot of things: heavy blues, psychedelic, and atmospheric rock. It’s not as psychedelic/jammy as our first record. It’s more dark and brooding. It has some jams in it, but it’s far more focused.
Tragically, the biggest story isn’t our sound but the death of Aron Christensen, who was murdered while hiking with his four-month-old puppy, Buzzo. Inept police work, a lazy district attorney, and many questions that will probably never be answered have led many news outlets, including the Wall Street Journal, to write about Aron’s mysterious murder. However, before his passing, we were finishing what would become No Easy Way Out, an eight-track collection of songs that explore, examine, and contemplate life, death, and how nobody makes it out alive.
I guess if I had to describe my “story,” the story that at least gets told through my music, it would be a story of adolescence, at least for now. I have lived in Fresno for all of my (admittedly short) life, and I think it can show through my music at times. But I’m always looking for a way to escape. Whether it be the mountains or the beach, make no mistake that I’d rather be anywhere than Fresno from at least July up to September. Our summers are scalding and long.
If I can’t do that, though, I still have the long-standing escapist cliche of music.
The story behind “Fake Artists”, although still recent, dates back to mid 2019 where I was invited to go to one of those hipster parties in an abandoned loft called “Solar dos Abacaxis”, something that the artistic bourgeoisie loves to turn into a stage for events (kind of like a reference to the Berlin experience, but which is already dated by the clichéd pedantry of this same privileged/intellectual bubble).
It first began in 2019 with the release of ‘guilt.’ There have been three releases since.
The latest release, ‘too artsy for the footy kids, too footy for the art ones,’ was released in February 2023.
It was written and recorded in my bedroom as I moved across Melbourne, Bendigo, and Canberra over the last three years. Its title comes from a line in its second song, ‘michael cera, serotonin.’ It references how I fit in socially, growing up in a country town with an interest in sports and art.
Greetings! I want to let you know that I have an Avant-garde/Alternative Rock music project called NETHRACEDICON.
I’m sure you’re probably thinking, “Nethra-what!?” And, you’re correct. This is not a word. It’s a fictional title I have given myself, as an independent recording artist. “Nethra” is actually a male first name that can be found in India. Also, at the tail end, you can find “Icon,” which someone I used to work with pointed out to me.
When I was 20, and still in college at Texas A&M University, I hooked up with some musicians who were needing a drummer for their Reggae group, Raggamuffin. During the Fall of 2005, I became their active drummer and managed to capture multiple rehearsal sessions with a portable device. This was my introduction into “do-it-yourself,” home audio recording and I’ve been doing this ever since.
Hi, we’re Parramatta from the UK. We write and record music that we hope would have been played by the late, much-missed DJ John Peel. If you have ever heard his show, you’ll understand; if you didn’t, let us explain.
My band Vazum‘s new album Vampyre Villa has a variety of moods and styles which people have picked up on. It floats between deathrock, shoegaze, goth, and post-punk which is why we call ourselves a deathgaze band. We’re interested in combining the rawness of deathrock with the depth of shoegaze.
Yes, I’ve done it, just about. Okay, it’s been closer to a year and a half, a couple of those albums were EP’s, one was a single, etc., but I’ve done it, just about. Five more releases, and I’ll have recorded as much music as The Beatles.
We are the goth rockers, Black Angel, from Los Angeles (even though I hail from 80’s England) and have just released an extended version of our debut album “The Widow.” Initially released in October 2019, some may think this is a little quick for an extended version. But while the first version was awesome, something wasn’t quite right.
It was mastered for the “headphone and streaming” generation, and it just didn’t have the bollocks it needed for a Goth/Post-punk album – not the ones I grew up listening to. I should have gone with my gut, I shouldn’t have catered to this popular way of mastering songs, should have stuck to my guns. So now I’m doing it again. And I couldn’t just re-release it, so we thought let’s just make it longer and more impressive, so fans have a reason to want it.