So it’s basically an album all about the struggles
that I have experienced in my life so far,
represented as an audio-stageplay.
It’s divided into six acts and various actors,
that show the story from different perspectives,
with an original and an alternate timeline.
The Sun looked like a prison break. I woke up in a suburb of Seattle and stared drowsily out of a stranger’s bedroom window. My wife was talking to an admirer of hers around the scattered ashes of a campfire from the night before. There was a mysterious text message from an unknown number on the blue screen of a broken iPhone. It was clear that the veils to what folks call the spirit world were perceptibly thin. Little hints of future memory flickered with mischievous honesty through the cracked wallpaper in the shadows of the room.
by Sam Nicholas
I’ve always been told I’m a perfectionist. I’m still not sure if this is the case. This is a sentence I’ll re-write several times, this a phrase I’ll think about for a few weeks.
I grew up at war with the rest of the world.
Years later, I still fight the same battle.
by Day & Dream
Day & Dream is a husband-wife team, Peter Frizzante, the morning person, and Abby Amaya, the night owl – our band name is a nod to our opposite sleep schedules. We are often writing music or lyrics at home in between work and daily chores, finding inspiration in personal relationships, nature, and risk-taking.
by Gregc
This had to be done. I found myself following Halloween, sliding toward the trifecta of winter holidays; in the suburbs. I was alone, maudlin, grateful, full of ideas, beliefs and memories.
by Luna Blanc
Le’ts start in the middle. Many years after both Josh and I, separately, had had music running through our veins and had already been the air we breathe. Although, mine in the form of a dream and Josh’s as his reality.
Let’s start in the middle. In a retail store in the big and unknown county of Fairfax, in northern Virginia, where Luna and Josh met.
by Jack Blare
photograph taken by Sebastian Greppo
Lydia Lunch is the undisputed Queen of No Wave and is one of the most dynamic and influential artists of our time. She started Teenage Jesus & The Jerks in 1977. Since then she’s been part of numerous bands such as 8-Eyed Spy & Big Sexy Noise and worked with artists as diverse as Sonic Youth, Last Poets, Cypress Grove, Richard Kern, Christine IX, Brian Eno, James Chance, Robert Quine, Nick Cave and Rowland S. Howard of the Birthday Party. She’s published several books and memoirs like Will Work For Drugs, Incriminating Evidence & Paradoxia.
She was a pioneer in the genre of Transgressive Film and is known for her powerful spoken word performances and outspoken feminism. Lydia Lunch has been influencing musicians, poets and artists since she appeared on the scene in 1977 and bands like Sonic Youth and L7 were heavily influenced by her music and ideals. So was I, an unknown 20-something poet and noise musician from a small town in Canada. This is the story of how we first met.
Recently I read an article on Glorious Noise about the Regrettes. I love that kind of music, but it also always transfers me back to the late 80s, early 90s and the hights of Brit-Pop. One of my favorites of that time was Elastica, with their fresh, alternative understanding of pop music.
