by Isaac Jahns

My new album is part of a decade-long process. And this one moment will serve as part of a bigger narrative.
by Isaac Jahns

My new album is part of a decade-long process. And this one moment will serve as part of a bigger narrative.

Why do you enjoy music? Is it the compelling lyrics, catchy melodies, or addictive rhythm? We are Tracing Faces, and we believe that every song is an opportunity to change a life for the better. Music is an incredibly powerful form of art, and with every lyric, melody, and rhythm we write we are striving to produce emotional content for you to blast in the car, listen through your headphones at night, or scream out loud at live shows.
by Xavier Xisto

Music is dying. Slowly, but it is. I don’t want to be one of those close-minded people who lives in the glorious pinnacle of the past, but we can all agree that the quality of the music industry has declined intensely since the second half of the past century. Today’s standards of what is labeled as art are worrying. Why do we live in such an artistic wasteland, you might ask?
by The Facades
So who are The Facades? It’s a good question. Even though I play all four members of the group, and they all come from and live in my head, I still have a little trouble clearly defining them. Zyote, the serious executive producer with a heart of lead and a painted smile. Aces Wild, the androgynous rock star/party angel who borrows Bowie’s vision and runs amok with it. Glitchtech, the anxiety-driven machine made man with an ear to the subway walls and an eye on the truth. The Thin Man, the pure diamond of barely-repressed spite with a literal cult following. How do I play them all, and how do they all play me?
by DJ ZETTEY Z

Lizette Roman-Johnston (DJ ZETTEY Z) grew up in a musical family, which was intimidating for a long time, but eventually, she worked up the courage to put out her first album called “BORDERLINE,” a 13-track work centered around her borderline personality disorder. Through the power of electronic bedroom pop, she touches upon the highs and lows of relationships, young adult life, and mental health.
by Emma Forman
If there was one song that I’ve written that sums up my whole life perfectly it is “As strange as fiction.” I’m sorry to admit that I’ve burned some bridges in life, especially when I was younger. And to be honest, this has probably been a factor that has held me back in music. I hope I have learned from this.
by Sid Ready

I started my music journey at fourteen in mid-2014 playing small coffee venues with my ukulele and guitar. In early 2017, I began to grow tired of my acoustic guitar and ukulele. I then moved on, and I started writing “I Can Actually Speak.” The album portrays a lot of things bunched into one that happened between mid-2016 and up until the end of 2017. I endured failed relationships and projects, moving out really young, and realizing how awful human beings can be. This is where the harsh beginning of “I Can Actually Speak” starts.
Based out of Poughkeepsie, NY is Reaching Every Mountain, a solo singer-songwriter who experiments with many different styles, always trying to raise the bar with each release. With his latest release, the “Heart On Fire” EP, he feels as if he’s found the sound he has been chasing for what seems to be his almost 8-year writing career.
I basically just make music as a way to express something that’s not really that easy to say. I record and produce everything myself as well, so it’s a pretty personal thing for me. Expression is the key: If I don’t have anything I feel I need to say, I usually don’t have a song to write.
by The Real Mac
The song Too Late off our recently released EP Smoke Signals, which to the naked ear sounds like a love song about two people who are realizing they may be near the end of their relationship is, in fact, an analogy of a story that happened to myself and a friend of mine while backpacking across Europe.