by Devin Tait

Photo by Jessica Perry
Devin Tait grew up on a farm in rural northwestern Kansas to a family who had been involved in agriculture for generations. So how did he end up as a synthpop musician based in West Hollywood, California?
The genre employs the use of electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means (electroacoustic music), and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers, and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms, and are such as the theremin, synthesizer, and computer.
– Wikipedia: The Free Encyclopedia
by Devin Tait

Photo by Jessica Perry
Devin Tait grew up on a farm in rural northwestern Kansas to a family who had been involved in agriculture for generations. So how did he end up as a synthpop musician based in West Hollywood, California?

We live in funny times.
The Artist writes his best song for seven years, suffers mental breakdowns, heartbreaks, crazy life situations, misunderstandings, self-doubt, rehabs, and other things that people might encounter in 7 long years. The song is finally ready. He records it. It takes a week. He releases it. Nobody buys it.
In the meantime, The Kid makes a beat on his iPhone; it takes him 3 minutes. He drops it. Someone buys it for $50, to rap about „bitches” over the mindless loop. The Kid buys more chewing gum.
by Sage Suede
Hi, I’m Sage Suede. This is my first blog post on mysoundposter.com! I have another blog on SageSuede.com and SageSuede.tumblr.com.
A little about me: I started my website in 2015 and released DIAMONDBACK Demo in 2017. DIAMONDBACK Demo was recorded in Northeastern’s Snell Library with an iPhone, while I attended classes full time. Later, I released a compilation of free tracks on my website called 2018 Freebies Bangers. It changes languages a few times. I’m a polyglot, so I change my mind a lot lol.
by Dude Is Walk

Trying to create order from Chaos is hard to do, and as best as I can understand to make sense of the brainwave data, I have been trying my hand at AI Machine Learning.

There were a few years there–the late 60’s and early 70’s–when underground FM radio thrived in Chicago. FM was new then, not yet corporate, and it offered, on weak frequencies, some very eclectic and adventurous broadcasting. I’d stay up late at night and record from the radio—musicians I’d never heard, but who fascinated me: Sibelius, Rahsaan Roland Kirk, Skip James, Ornette Coleman, Doc Boggs. The tapes had no genre boundaries or even taste parameters, really–half the time I didn’t even know if I exactly liked the stuff I was recording. I didn’t yet have enough musical context to fully appreciate it. But I craved the soundscapes the tapes created. Avant garde and folk musics seemed much the same to me. It was all musical texture—fresh and new, especially the stuff that was old.
by D. Wild

When I was sixteen years old, I wrote and recorded a song called Infection. Eleven years later, it’s become completely cringe-worthy for me to listen to, but that song lead me to some of the most profound realizations I’ve had in my music career so far. The lyrics of Infection were about unrequited love, the negative feelings that come along with it, and the ability of those feelings to spread into other aspects of life.
At that time, I was extremely self-conscious about my voice, and my good friend Ravi Adams would sing on the actual recordings of my songs. Ravi was able to capture the things that my voice was not yet capable of, and for the first time in my life, I experienced the joy of having a completed musical project that I was proud to share with the world.
I continued striving to write better and better music, but one day Ravi stopped me in the middle of recording and told me “Dillon, you write awesome songs, but everything is sad and slow. Imagine what you could do if you changed things up and wrote a happy, more upbeat, song.”
by Heno

Hello, my name is Heno from London UK. I’ve been producing music for ten years, and I just released my first album called “Fragments Of A Memory” on Monday, available in all digital outlets.

After years of performing in funk, jazz, blues, ska, Top 40 and big bands, I found myself and the voice that I wanted with my music in the world. I realized, after traveling and living in all parts of the country, the music that best represents me, is Pop!