by John Zonn

Please welcome my latest single A Portrait Of Cary Grant
with the B-side, Spiritus Flumine.
‘Why Cary Grant?’, I hear you ask…
by John Zonn

Please welcome my latest single A Portrait Of Cary Grant
with the B-side, Spiritus Flumine.
‘Why Cary Grant?’, I hear you ask…

It was March in Seattle, and I’d just had all four wisdom teeth removed while listening to Megadeth. I was lying in bed – – healing and reading Tom Wolfe’s “Electric Kool-Aid Acid Test” – – when I got a text from a fellow singer/songwriter (we’ll call him Drew), asking if I’d like to join him for a road trip to Austin, Texas. We would leave in a few days. After arriving we’d stay with a traveling musician named DB Rouse who lived and worked on a horse ranch just outside of the city. DB had set up a makeshift recording studio in a shack on the property and had invited Drew to come down and record some songs.
My need for adventure greatly outweighed my need for rest, so I agreed to tag along.

In Spain, to be honest, it is hard to find excellent independent musicians (composers) in electronic music. It’s true that in other music cultures, like jazz, rock, blues, etc., we have some outstanding musicians. But if we talk and refer to (only) in electronic music, it is a colossal disaster.

Born and bred in Bristol, UK, I have always been surrounded by music. My father is a guitarist and always listens to Iron Maiden and Black Sabbath. My mother is not a musician, but she always listens to AC/DC and Billy Idol. At age 8, I started playing guitar. I am now 19 and have made guitar my main instrument, but I can also play drums. Last year, however, my musical journey nearly ended.

“…music is something to be passionate about, to learn about, and to gain mastery over, again and again, never actually surrendering to the will of the musician, but always driving them to continue to strive for something more.”
by Dim Kouchnir

I guess to start things off I didn’t really have this direct introduction to music as blatantly most people get it (I think). You could say I kinda got ushered into it slowly during the period of 14 to 20ish.
Around my mid-teens, I started writing poetry in my native language which is Flemish (same as dutch), and in that same period, I also got into dancing, particularly in the styles hip-hop, poppin’, and bboying. Being a dancer and mainly educating myself in the field choreography, I got in contact with a lot of the musical influences that show themselves in my work today.
I think of people like: Frank Ocean, Kendrick Lamar, Kid Cudi, Kanye West, Sholomo, Clams Casino; and the list goes on…
I remember my dance tutor having this immense iTunes library, and after a lot nagging, I got him to put it on my blackberry tablet (hahaha). Having that period in my life gave me a passion for music in general, And helped me to develop my taste.

Middle age –
Some buy a motorbike or go skydiving, some swim with sharks or hunt for ancient treasures…. me I started to record all the songs I’d scribbled on little bits of paper over many years! As the technology made it infinitely easier to set up a studio at home… that’s what I did, and here am 😉 7 albums, two e.p.’s and a couple of compilation albums in 4 years, and many more still to come!!

In the deep need to express a feeling or say a word, to come in contact with people and be heard, be accepted, to feel like I belong where I am.

Today I would like to share some stories about the new sound art project Maquinas em Diálogo, which we started with a talented Brazilian artist, Ingrid Soares.

Originality is what makes you different. Stop copying others instead of bringing uniqueness into your work. Let the world know who you are and what stuff you are made of.