It feels ironic to be releasing my song ‘Better’ at a time where it appears the world is, in fact, doing worse. Civil rights and liberties are being rolled back while our governments flirt with the idea of World War III, and yet, when I finished this song several years ago, I thought to myself, “I’ll release this when the world is better”. But as I’m getting older, I’m learning life is more nuanced than that. You can’t wait for the world to be better, you can’t wait for the world to give you permission to find your joy.
Delta Stardust began as a studio project. We were seeking that alchemical, psychedelic sound from blending acoustic, electric, and digital instruments. We also wanted to capture a haunted, mystical Memphis/North Mississippi vibe even as the music–the song forms and sonic undercurrents – kept expanding. We call the genre Roots Psychedelic music.
Our first album, Snakes Made of Light, was released in January. One song was written after I was nearly hit by a bullet while jogging in America’s most crime-ridden city, my hometown of Memphis.
What is The Strange & Odd Secrets Club? It’s not a club, or even a band. It’s really just one person – Me. Hello there! I try to put an emphasis on making my songs sound like a collective effort rather than the solo project that it truly is. Through some “social experimenting” with other musicians I found that I work much better in solitude. Part of this is due to my insecurity surrounding vulnerable lyrical and arrangement ideas, but also because I love taking on the personal responsibility of creating each element of a song.
Since 2017, I’ve been the singer and guitarist of the Swiss band Dear Misses, although my first band experience started in 2005 when I was 15. My roots lie in a mountain valley, which is the embodiment of Switzerland: high mountains and deep valleys, a cold blue creek, a lot of snow in winter, green meadows, and Swiss cows during summer. If you don’t believe me, just Google “Muotathal.” It’s old Germanic and means “wild water valley.”
We are a Brazilian band that emerged in the 90s, more precisely in 1994: Old Magic Pallas. Oh gosh, 30 years! Time flies… We met in a CD store that belonged to our drummer, where we always met to listen to the releases of the bands we liked, mainly British alternative rock. In fact, our band’s name comes from the liner notes of Blur’s Parklife album (it was the name of one of those racing dogs).
At that time, few bands played this style of music in the country, and even fewer sang in English.
This was even the motto for a documentary called “Guitar Days – An Unlikely Story of Brazilian Music,” which details the independent scene of that time and where we are mentioned.
We are Sqwerv, a Denver-based four-piece band that loves improvising and jamming. Our latest project is a departure from our previous works – the new EP “Hors D’oeuvres Part 1” is the first of a three-part project. For a while, we referred to it as the “psych album,” but we went with “Hors D’oeuvres” as it’s just a taste of what we have coming out this year.
We are very much committed to artistic exploration and boundary-pushing; our close friends who have heard snippets of the songs are surprised it’s the same band. We love that.
“The Opposite Of Shapes” is a term I’ve coined for the sound I hear in my favorite songs – the one I strain my ears for, impossible to pick out of the mix, so loud and so subtle at the same time, until I just have to believe it’s the final instrument – the sound that bubbles in between all of the tracks, everything and nothing at the same time. The element that makes a song good or not, well mixed or not, a hit or a flop. Sometimes it’s a feeling, sometimes it’s an actual sound. When that final piece reveals itself in a song, I can float in it, become it, and insert myself into that mysterious and thrilling space. I feel like it’s been made just for me.
How can you convey a song about a disease? Especially a disease like epilepsy that most people have heard about but probably know very little about. And can I express the feelings and the hopelessness associated with having a child with this disease without it being simply too much for others to listen to?
Among other things, it was with these thoughts that I started writing the song Epilepsy. A song that has now become very central to my album The Admirer, which is my most personal album to date. The song was also the first single from the album, and was released on International Epilepsy Day. That all made sense.
On our sophomore full-length album, “No Easy Way Out,” we examine tragedy underneath a bed of pulsating drone-rock following the murder of our bass player Aron Christensen in 2022, inspired by artists like Spacemen 3, The Velvet Underground, and The Brian Jonestown Massacre.
We do a lot of things: heavy blues, psychedelic, and atmospheric rock. It’s not as psychedelic/jammy as our first record. It’s more dark and brooding. It has some jams in it, but it’s far more focused.
Tragically, the biggest story isn’t our sound but the death of Aron Christensen, who was murdered while hiking with his four-month-old puppy, Buzzo. Inept police work, a lazy district attorney, and many questions that will probably never be answered have led many news outlets, including the Wall Street Journal, to write about Aron’s mysterious murder. However, before his passing, we were finishing what would become No Easy Way Out, an eight-track collection of songs that explore, examine, and contemplate life, death, and how nobody makes it out alive.
I guess if I had to describe my “story,” the story that at least gets told through my music, it would be a story of adolescence, at least for now. I have lived in Fresno for all of my (admittedly short) life, and I think it can show through my music at times. But I’m always looking for a way to escape. Whether it be the mountains or the beach, make no mistake that I’d rather be anywhere than Fresno from at least July up to September. Our summers are scalding and long.
If I can’t do that, though, I still have the long-standing escapist cliche of music.
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