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When you cue up a song titled “Highway 1”, you probably anticipate a great driving song. Greg Connors delivers with his new single, which if you let it, will take you on a journey to both your own bitter end and recreation.
“Highway 1” manages to relentlessly unbalance and rebalance its discord and flow. The lyrics have that signature Connors flair, the mercurial duplicity and winking turns of phrase. —
The 2010’s have come to an end, and there was no better way to end the decade with a collection of songs that mean so much to me as an artist and person… The tracks of the Mirror Stage era. This collection of 80’s inspired new wave tracks, with sprinkles of modern chillwave, have taught me so much about myself as a musician and will forever hold a special place in my heart. The Mirror Stage era ended with my newest release to date, the Imaginary Order EP. This EP is only 17 minutes long, but it packs so much emotion and angst into 5 tracks. Although the Mirror Stage era is over, this EP is the perfect way to kick off the new decade.
My somewhat modest success in the good ol’ music biz came rather late in life, and almost completely by accident. Although, having said that, a lot of hard work had gone into making that accident happen.
We’re a three-piece band; we grew up in different places, met two years ago and started up playing in a basement that now we can call our own. It’s awful and depressing that in Greece, you never get much attention or the respect you deserve as an artist, except if you are a rapper, a metaller, or a traditional type musician. It’s so hard to find live gigs here when you play the kind of music we do. I believe that this is one of the main reasons we need to get out of here for good if we get the chance.
The name of the band comes from my brother’s syndrome Mobius and it has to do with facial nerve paralysis and being expressionless, which happens to remind me of what I think about the world I live in, paralyzed, and emotionless.
“I sing because I’m happy. I sing because I’m free.” I like those lines from the famous gospel song “His Eye Is on the Sparrow,” especially as sung by The Preservation Hall Jazz Band, who convey in both their instruments and voices all the hardship and pain that often precede or surround the moments of happiness and freedom that singing can create, the way one really depends on the other to achieve its full impact.
I create a lot of different kinds of things. Singing is the one among them that always gives me more back than I put into it, leaves me feeling happy and free. Whether it’s dark or light in my life at that moment those sounds are being made, I always feel that a good eye is still on the sparrow.
Originally from Great Falls, Montana, I became involved with music at a young age and was writing songs by age 13. In highschool my bedroom was set up like a recording studio with an old Tascam 24 track recorder and various instruments.
“I slept in my closet! So I had room for the studio.”
At that time, I was making music under the moniker Wayyyne with a sound similar to Animal Collective and experimental pop from 2011. After graduating highschool, I moved to Portland, OR to pursue music further.
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.