Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
The day is November 9, 2019, and I live in Calgary Alberta, Canada. I grew up in Stratford, Ontario, Canada, the same town as Justin Bieber. Belieber it or not I actually babysat him once and played music with him a few times before he became the hugely famous, hated, loved, etc etc .etc .superstar kid-adult that he is now. That being said the youth culture that I grew up in that town a few years before he was not at all like what you would think a town that Justin Bieber partly grew up in would be…
In 1986 it all began near Cologne (Germany) in a little town called Kerpen Sindorf. For me, it was clear that it would be a long journey, and it still is. Now 33 years later and after 33 released albums, it is still something special and every day something new to create music.
Right now, we just released the album “Laughter filled with pain” – eight acoustic songs with some electronic elements here and there. It is a very personal album reduced to the essentials.
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.
It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.
Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.
It is Free!! It costs nothing!! Stated the elderly anesthesiologist to the boy’s family. To put your son to sleep for his surgery costs absolutely nothing!! It is Free!! Free!! But to wake him up??………very very expensive!!
Moments earlier, in the same pre-operative area in this public hospital in a large Central American city, I witnessed another local medical doctor, drill a metal rod horizontally and completely through an indegenous patient’s femur, with the patient wide awake, and only after injecting numbing medicine, not much deeper than the skin, on the entry site of the thigh.
Such is the plight of the poor and marginalized, of which I have witnessed as an anesthesiologist, in over 30 international surgical missions, and which dominate the lyrical content of Ojos Feos’ original psychedelic Afro-Latin rock compositions.
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.
It was March in Seattle, and I’d just had all four wisdom teeth removed while listening to Megadeth. I was lying in bed – – healing and reading Tom Wolfe’s “Electric Kool-Aid Acid Test” – – when I got a text from a fellow singer/songwriter (we’ll call him Drew), asking if I’d like to join him for a road trip to Austin, Texas. We would leave in a few days. After arriving we’d stay with a traveling musician named DB Rouse who lived and worked on a horse ranch just outside of the city. DB had set up a makeshift recording studio in a shack on the property and had invited Drew to come down and record some songs.
My need for adventure greatly outweighed my need for rest, so I agreed to tag along.
In Spain, to be honest, it is hard to find excellent independent musicians (composers) in electronic music. It’s true that in other music cultures, like jazz, rock, blues, etc., we have some outstanding musicians. But if we talk and refer to (only) in electronic music, it is a colossal disaster.
Born and bred in Bristol, UK, I have always been surrounded by music. My father is a guitarist and always listens to Iron Maiden and Black Sabbath. My mother is not a musician, but she always listens to AC/DC and Billy Idol. At age 8, I started playing guitar. I am now 19 and have made guitar my main instrument, but I can also play drums. Last year, however, my musical journey nearly ended.