The Value Of Music

by Rob Sheppard

The Value Of Music by Rob Sheppard
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.

It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.

Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.

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Why O Why Can’t I Hear You Cry?

by Robbie Cree (Ojos Feos)

Why O Why Can't I Hear You Cry? by Robbie Cree (Ojos Feos)
It is Free!! It costs nothing!! Stated the elderly anesthesiologist to the boy’s family. To put your son to sleep for his surgery costs absolutely nothing!! It is Free!! Free!! But to wake him up??………very very expensive!!

Indeed.

Moments earlier, in the same pre-operative area in this public hospital in a large Central American city, I witnessed another local medical doctor, drill a metal rod horizontally and completely through an indegenous patient’s femur, with the patient wide awake, and only after injecting numbing medicine, not much deeper than the skin, on the entry site of the thigh.

Such is the plight of the poor and marginalized, of which I have witnessed as an anesthesiologist, in over 30 international surgical missions, and which dominate the lyrical content of Ojos Feos’ original psychedelic Afro-Latin rock compositions.

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Tone poems

by Artjom

Tone poems by Artjom (Oudeis)

Photo taken by Evert Palmets.

Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.

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The Campfire Fellowship

by Alex Rasmussen

The Campfire Fellowship by Alex Rasmussen

It was March in Seattle, and I’d just had all four wisdom teeth removed while listening to Megadeth. I was lying in bed – – healing and reading Tom Wolfe’s “Electric Kool-Aid Acid Test” – – when I got a text from a fellow singer/songwriter (we’ll call him Drew), asking if I’d like to join him for a road trip to Austin, Texas. We would leave in a few days. After arriving we’d stay with a traveling musician named DB Rouse who lived and worked on a horse ranch just outside of the city. DB had set up a makeshift recording studio in a shack on the property and had invited Drew to come down and record some songs.

My need for adventure greatly outweighed my need for rest, so I agreed to tag along.

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The Spanish Disaster of Independent Electronic Music

by Julio Gutiérrez (Nühn)

The Spanish Disaster of Independent Electronic Music by Julio Gutiérrez (Nühn)

In Spain, to be honest, it is hard to find excellent independent musicians (composers) in electronic music. It’s true that in other music cultures, like jazz, rock, blues, etc., we have some outstanding musicians. But if we talk and refer to (only) in electronic music, it is a colossal disaster.

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Music is my Life

by Vugatti Beyron

Music is my Life by Vugatti Beyron

Born and bred in Bristol, UK, I have always been surrounded by music. My father is a guitarist and always listens to Iron Maiden and Black Sabbath. My mother is not a musician, but she always listens to AC/DC and Billy Idol. At age 8, I started playing guitar. I am now 19 and have made guitar my main instrument, but I can also play drums. Last year, however, my musical journey nearly ended.

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Sweet Young Solitude

by Dim Kouchnir

Sweet Young Solitude by Dim Kouchnir
I guess to start things off I didn’t really have this direct introduction to music as blatantly most people get it (I think). You could say I kinda got ushered into it slowly during the period of 14 to 20ish.

Around my mid-teens, I started writing poetry in my native language which is Flemish (same as dutch), and in that same period, I also got into dancing, particularly in the styles hip-hop, poppin’, and bboying. Being a dancer and mainly educating myself in the field choreography, I got in contact with a lot of the musical influences that show themselves in my work today.

I think of people like: Frank Ocean, Kendrick Lamar, Kid Cudi, Kanye West, Sholomo, Clams Casino; and the list goes on…

I remember my dance tutor having this immense iTunes library, and after a lot nagging, I got him to put it on my blackberry tablet (hahaha). Having that period in my life gave me a passion for music in general, And helped me to develop my taste.

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A Magical Musical Journey of Folk and Immortality!

by Mark McCafferty

A Magical Musical Journey of Folk and Immortality! by Mark McCafferty
Middle age –
Some buy a motorbike or go skydiving, some swim with sharks or hunt for ancient treasures…. me I started to record all the songs I’d scribbled on little bits of paper over many years! As the technology made it infinitely easier to set up a studio at home… that’s what I did, and here am 😉 7 albums, two e.p.’s and a couple of compilation albums in 4 years, and many more still to come!!

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