Blog posts created by musicians on mySoundposter.com
by Anna Karney
After my previous album, Creatures In The Garden, I didn’t think I had another one in me. But suddenly this chorus just popped out, lyrics, chords, and melody all at once, “We will all come out together for love, love, love.” And I really needed to hear these hopeful words, because of the daily barrage of sad news. It was enough to start me off on my next album journey.
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It feels ironic to be releasing my song ‘Better’ at a time where it appears the world is, in fact, doing worse. Civil rights and liberties are being rolled back while our governments flirt with the idea of World War III, and yet, when I finished this song several years ago, I thought to myself, “I’ll release this when the world is better”. But as I’m getting older, I’m learning life is more nuanced than that. You can’t wait for the world to be better, you can’t wait for the world to give you permission to find your joy.
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When I wrote I REMEMBER YOU, I had been watching a friend go through a really rough time. They had been going through the kind of difficulties that challenge your identity and your ability to show up for life in a healthy way. They had pretty much shut down and tried to hide it from the world, but they were not themselves, and anyone who really knew them could see how much they were struggling.
In moments like that, you have two choices: show up and love the person where they are, and remind them who they are and that they are loved, regardless of whether they can give anything back to you, or check out and leave. I choose to show up.
Continue readingby Poli Nika
I look into his eyes and remain silent. I know my silence wounds him, but I can’t utter a single word. My throat tightens, my head spins with the darkest thoughts I’d never dare say out loud. “What would he think of me then?” These are the monsters inside me, and I’ll never let them destroy what we have. I’ll never let them out, because then…
by Scott Hays of Black Rain
Black Rain – Three grumpy men from the North East of England. We are excited to share our debut album with the world. We’ve poured our hearts and souls into creating something that truly reflects who we are. We’ve always felt like we exist in a unique space – “Too Goth to be Punk. Too Punk to be Goth.” – a phrase from a review of one of our early gigs, and we felt it captured what we are about far more concisely than we have ever managed to.
We’ve come to embrace the idea that we don’t fit in to one particular musical pigeon hole and in fact it’s something we wear with pride. A sonic storm of raw energy, brooding atmosphere, and razor-sharp intensity. The music blends the cold, jagged edges of classic post-punk with a modern a unrelenting drive and dark overtures. You’ll find haunting melodies, pounding rhythms, and a relentless emotional pull that we hope you won’t be able to ignore.
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Like inside a mirror. On one side the artist, on the other the critic. It is a mirror game. A sending back and forth of suggestions, echoes, signs. Both on the way towards the imaginary.
(Gerardo Pedicini – Dentro lo Specchio)
This quote is my starting point to approach the review of “Hard Boiled”, an album produced and played by me for Liburia Records – giving me the opportunity to investigate the hidden reasons in my music after reflecting on these words.
Continue readingby Michael Graber of Delta Stardust
Delta Stardust began as a studio project. We were seeking that alchemical, psychedelic sound from blending acoustic, electric, and digital instruments. We also wanted to capture a haunted, mystical Memphis/North Mississippi vibe even as the music–the song forms and sonic undercurrents – kept expanding. We call the genre Roots Psychedelic music.
Our first album, Snakes Made of Light, was released in January. One song was written after I was nearly hit by a bullet while jogging in America’s most crime-ridden city, my hometown of Memphis.
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I often think about injustice in life. Sometimes, circumstances turn out so that the life you lived yesterday no longer exists today.
I could feel it when I left my hometown to go to university and left my closest friends behind. I still miss them very much because we can’t see them often.
Continue readingby Tucker Coughlin a.k.a. In Luna’s Garden
Mina vs the Pit of Despair is an album born out of desperation. I’ve struggled with chronic depression and suicidal thoughts since I was 11 years old. I’m sure many of you can relate to teenage years full of tumultuous emotions and searching for answers. My memories of high school and early college are filled with trips to the doctor, seven different therapists, countless medication modifications, and reading philosophy and religion, all culminating in a 3-month inpatient residency. No matter what I did, nothing could convince me that life was worth living. In a final attempt, I decided to construct my own thesis on why life is inherently good. This effort would coalesce over two years into my debut album, Mina vs the Pit of Despair.
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When I was a kid, I discovered Marty Robbins’ “Gunfighter Ballads and Trail Songs” in my Dad’s record collection and played it obsessively. I fell in love with the stories that that album told and the colorful characters in songs like “Big Iron” and “El Paso.” It was immediately apparent that to me, music was not just a melody and a beat; it was also visual and preferably cinematic. The story that the lyrics told was what really brought a song to life for me.