Author: soundposter

soundposterhttps://www.mySoundposter.com

The Futile Project, with a Wink

by Hendrik Heuser

Hendrik Heuser of The Futile Project


When I read the advertisement for the contest, I had to chuckle. The Nassau cultural prize for contemporary composition 2003 sounded great to me. Yet I hardly believed in myself enough to think the effort to apply would be more than futile. So that’s what I called my non-existent band project: The Futile Project.

I had left all my former bands when I returned from six months abroad in Glasgow. There, for the first time, I had an opportunity to present my music to an audience of musicians I hardly knew. Therefore, the feedback I got was honest and not tainted by friendship or sympathy. I performed almost every Monday at Gerry Lyon’s open stage night in the Nice’n’Sleazy, a club on Sauchiehall Street.

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Some things stop, some things don’t

by jakson

jakson


I am jakson.

jakson is a musical project by me, jakson.

It first began in 2019 with the release of ‘guilt.’ There have been three releases since.

The latest release, ‘too artsy for the footy kids, too footy for the art ones,’ was released in February 2023.

It was written and recorded in my bedroom as I moved across Melbourne, Bendigo, and Canberra over the last three years. Its title comes from a line in its second song, ‘michael cera, serotonin.’ It references how I fit in socially, growing up in a country town with an interest in sports and art.

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Modern Fairy Tales on the Piano

by Million Pebble Beach

Million Pebble Beach


Mrs. Penny was one of those teachers you remember – she encouraged me, enjoyed my stories, and often read them to the class. She told me to study sciences for a better-paid job, and off down that road I skipped studying engineering. But as Iggy Pop once quipped, if you’re creative, there’s something inside you, and it needs to get out…

Million Pebble Beach is my chosen “Nom de Guerre” – a nod to a local artist and the area (Pete Codling’s One Million Pebbles project in Portsmouth).

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Prince, Black History Month and The Spoken Word

by Lee Christian

Prince, Black History Month and The Spoken Word by Lee Christian


I have been a Prince fan since I was 8 and first heard Let’s Go Crazy, with its ear grabbing pyrotechnic guitar ending. Since then, I’ve learned from him, copied him and even just ended up doing the same things as him by osmosis or naturally. His work ethic, energy and diversity are three touchstones of my own ‘career’ and I have many strange ethereal intangible links to prince and ‘signs’ attached to many of my fondest moments in music so far that it’s almost as if he’s been a musical guardian angel since his passing in 2016 – an event that hit me so bad that I bought a streaming package, set up a little shrine on screen and DJ’d for 3 days straight, so fans had a place to hang, and I had some way of expressing my own sense of loss and gratitude for him voluminous output and inspiring presence in my own life. My phone went off non-stop that first day, I was associated with him so much by my circle of friends, they were checking that I was ok!

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I wasn’t thinking about what I was going to think about

by Ben VanBuskirk of Blackout Orchestra

Ben VanBuskirk aka Blackout Orchestra


I can’t talk about music.

Okay, that’s not entirely true. I have the language. I can talk about what a particular song means to me, or I can talk about what that drummer is doing on the hi-hat that makes you know it’s them. Music history is an easy one – I’ve devoured all the rock bios, read all the critical analysis, seen all the interviews. I eat, sleep and breathe music. So why does it feel hard to talk about?

Not to sound all new-age about it, but music is elemental. Larger than life. When I was a kid, like most kids, I was into superheroes. The bright colors, the high stakes, the every moment of a story that meant something important to the larger narrative. As I grew up, music was the only “adult” thing that felt that exciting, that vital, that universal and yet intensely personal.

So of course I became a musician.

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Borrowed Voices

by Tim Oestmann

Tim Oestmann


Greetings! My name is Tim Oestmann, from Adelaide, Australia.

Music is such a gift. It is a community event. Many of us are influenced by others’ gifts of a song or a tune, and hopefully, we can provide a tune in return. None of us makes music in a vacuum.

My background is as a guitarist and bass player in a number of local bands. I was fortunate enough to perform for a few years in front of live audiences, which was often a privilege. I also learned a lot from playing to an audience that gave instant feedback if you were hot, or not, they would let you know. I also did some roadie work for other performers, and so heard a lot of live music.

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Meet Us Halfway

by Guido Maurizio Doria of Pancake Drawer

Pancake Drawer


We are Veronica and Guido from Rome (Italy); we founded “Pancake Drawer” in 2018. Back in the day, we started as an acoustic duo, playing guitar and ukulele. Along our journey, we evolved our sound by introducing new instruments such as lap steel guitar and synthesizers.

The name “Pancake Drawer” is a quote from our favorite TV show, “Scrubs.” In our live sets, we love to play some covers from that show.

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30 Years of Originals

by Pedro Alsama


My mother used to say that when I was 2 or 3 years old, I was a little pest, but when music was on the television, it was silent; it was peaceful at home. I was absorbed in what I was wanting to do forever. Music.

I started my sound adventure learning sounds; I created them around me with a k7s recorder. I walked around the house reporting where I went, something like: “And now this is the sound of water, and let’s all listen…” turned on the bathroom faucet “listen, it’s the water singing…”

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Artificial Empathy

by Remi of Aurora Falls

Aurora Falls


We are Aurora Falls, a post-rock band from Poland. We are a mixture of musical souls 🙂

We gathered at the beginning of 2021 to play some music, and we stayed longer. From the very beginning, we loved to seek space in our musical improvisation, somewhere between shoegaze, post-rock, blackgaze, or dreampop.

After a year of playing together, this concept finally took the shape that we call Aurora Falls. At the end of 2022, we decided to record some of our songs to share it with the world. That’s how it started.

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Without Any Constraints

by Nethracedicon

Nethracedicon


Greetings! I want to let you know that I have an Avant-garde/Alternative Rock music project called NETHRACEDICON.

I’m sure you’re probably thinking, “Nethra-what!?” And, you’re correct. This is not a word. It’s a fictional title I have given myself, as an independent recording artist. “Nethra” is actually a male first name that can be found in India. Also, at the tail end, you can find “Icon,” which someone I used to work with pointed out to me.

When I was 20, and still in college at Texas A&M University, I hooked up with some musicians who were needing a drummer for their Reggae group, Raggamuffin. During the Fall of 2005, I became their active drummer and managed to capture multiple rehearsal sessions with a portable device. This was my introduction into “do-it-yourself,” home audio recording and I’ve been doing this ever since.

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