The Terminally Well are an independent American rock band conceived of and formed by Rob Runkle – who has previously released several album’s worth of music as Intense “The Bohemian Pimp” from Philadelphia hip-hop group Schoolz of Thought (having worked with Questlove of The Roots, 88-Keys, Pink, Scratch, Zap Mama and Illmind, among others).
Growing up as a Tempe child but switching places in the outskirts of SoCal or forced to go to church every Sunday, took its toll. I found myself at darker times and darker places of wanting to let go.
I may have seemed happy to some, but I wasn’t… I felt trapped and I didn’t like any of it. And it didn’t help that I had an attention problem or that I kept falling ill…
by Paul Kameen
“I sing because I’m happy. I sing because I’m free.” I like those lines from the famous gospel song “His Eye Is on the Sparrow,” especially as sung by The Preservation Hall Jazz Band, who convey in both their instruments and voices all the hardship and pain that often precede or surround the moments of happiness and freedom that singing can create, the way one really depends on the other to achieve its full impact.
I create a lot of different kinds of things. Singing is the one among them that always gives me more back than I put into it, leaves me feeling happy and free. Whether it’s dark or light in my life at that moment those sounds are being made, I always feel that a good eye is still on the sparrow.
You will never know my real name, but will instead know me as Britain Chambers. I am the sole mind behind my band Context Sensitive. Unlike everyone who happens to chase the next big trend or stay within the confounds of genres, I make the music that I like with all the sounds that I desire the music that turns me on. Follow me down the rabbit hole and see how far it goes.
by Nes Croft
Originally from Great Falls, Montana, I became involved with music at a young age and was writing songs by age 13. In highschool my bedroom was set up like a recording studio with an old Tascam 24 track recorder and various instruments.
“I slept in my closet! So I had room for the studio.”
At that time, I was making music under the moniker Wayyyne with a sound similar to Animal Collective and experimental pop from 2011. After graduating highschool, I moved to Portland, OR to pursue music further.
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.
I started Nocturnal Company when I got to Albuquerque, New Mexico, for my freshman year of college. I often stayed up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, my roommate stayed at his girlfriend’s dorm most of the time. That kid was a character, he smoked hella pot and took watermelons full of vodka to parties, where he feigned a french accent.
To the best of my recollection, I can’t recall ever being tear-gassed.
My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.