The Musician from our Universe

by Dachi Khasaia

The musician from our universe by Dachi Khasaia (Universe<∞Man)
Universe∞Man was born on earth.

It was a happy day; the universe gave him all its power and sent him to the planet called earth.

This is his favorite place, his home, where he lives and creates his music and universal stories.

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2020 – A platter of songs for you to snack on

by Oliver Scott Draper

2020 - A platter of songs for you to snack on by Oliver Scott Draper
My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.

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Howlin’ Herman And The Dwellers

by Tiger Morrocco

Howlin' Herman And The Dwellers

We would say it’s great to hear you enjoyed our unique blend of genres, but we hear that every day baby! I’m a Gypsy Dub Rockstaaa sugar!

We invented the genre of Viber and we ain’t done there, next we’re gonna invent portable lean fat grilling machines…. sign up for updates on this project by texting “update me hoe” to 0800-GRILL-ME-NICELY.
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New Single and Video ‘Take it Easy on Me’ – out Valentine’s Day, Feb. 14th

by The Terminally Well

The Terminally Well - New Single and Video 'Take it Easy on Me - out Valentine's Day, Feb. 14th
The Terminally Well are an independent American rock band conceived of and formed by Rob Runkle – who has previously released several album’s worth of music as Intense “The Bohemian Pimp” from Philadelphia hip-hop group Schoolz of Thought (having worked with Questlove of The Roots, 88-Keys, Pink, Scratch, Zap Mama and Illmind, among others).

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Revolución – The Latin Spring

by Robbie Cree (Ojos Feos)

Revolución - The Latin Spring by Robbie Cree (Ejos Feos)
To the best of my recollection, I can’t recall ever being tear-gassed.

My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.

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Why O Why Can’t I Hear You Cry?

by Robbie Cree (Ojos Feos)

Why O Why Can't I Hear You Cry? by Robbie Cree (Ojos Feos)
It is Free!! It costs nothing!! Stated the elderly anesthesiologist to the boy’s family. To put your son to sleep for his surgery costs absolutely nothing!! It is Free!! Free!! But to wake him up??………very very expensive!!

Indeed.

Moments earlier, in the same pre-operative area in this public hospital in a large Central American city, I witnessed another local medical doctor, drill a metal rod horizontally and completely through an indegenous patient’s femur, with the patient wide awake, and only after injecting numbing medicine, not much deeper than the skin, on the entry site of the thigh.

Such is the plight of the poor and marginalized, of which I have witnessed as an anesthesiologist, in over 30 international surgical missions, and which dominate the lyrical content of Ojos Feos’ original psychedelic Afro-Latin rock compositions.

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