Easy Listening for Difficult People

by Ancient Champion

Ancient Champion


It all began with a 30-year hiatus. In 1993, I was living in Los Angeles. My band had broken up, and I was an acclaimed songwriter. I was sharing a house with my regular studio engineer, a house protected by an adherence to some Wild West frontier law — a legal loophole, really, that kept us temporarily in bank-repossessed homes before the hammer fell, and we moved on to another bank-repossessed home in limbo.

Diametrically opposed to the musical situation we’d left, which was a type of pastiche Jon Spencer Blues Explosion – abrasive, dynamic, feedback and polyester-driven mayhem, we were recording and beginning to assemble what we considered could be the quietest band in the world. Maybe you recall this was right in the middle of the Seattle grunge era. Those were terrible times for music. We were in the opposition. You’d maybe hear what we were aiming for these days in the likes of Timbre Timbre, but back then, in that environment, it seemed dissolute and unwarranted. And most likely unwanted.

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What Inspired Me To Become A Singer-Songwriter

by Phyllis Sinclair

Phyllis Sinclair


Years back, I attended my late cousin’s funeral in the core of the inner city where she lived. One could call the area run-down, poor, and even scary. It was the kind of place where taking to the street at night was risky, let alone by day. Many of the shops were closed down, and the upkeep on the surrounding buildings was minimal, to say the least.

My cousin had been renting a three-room apartment over a dingy hotel where she lived a hand-to-mouth existence due to childhood traumas. Every time I went to this city, I made a point of stopping in on her for a visit because, despite her struggle, she hadn’t lost her sense of humor and hadn’t forgotten the ways of knowing taught to us by our grandmother. She was fun and had a great sense of humor. She didn’t let too much bother her, and I enjoyed spending time with her. It was relaxing because there was no pressure to be anything else than two cousins spending time together. We would often jump into my car, as she didn’t own a vehicle, and drive out to the country for fresh air and a change of scenery.

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Walking Until I Lay

by Jonas Franck a.k.a. Corpse Feet

Jonas Franck aka Corpse Feet


Why call it Corpse Feet? No one, to my knowledge, can survive death, so I guess we’re all just corpse feet walking until we lay…

Here’s how it went.

It was in the late 70s, and I was just a few years old. I had seen a man with his guitar on our black and white TV, probably Elvis Jailhouse Rock, and immediately wanted to be that. So, I grabbed a tennis racket at a birthday party and got up on the table to do my first show.

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The Opposite Of Shapes

by Laura of Outer Shapes

Outher Shapes


“The Opposite Of Shapes” is a term I’ve coined for the sound I hear in my favorite songs – the one I strain my ears for, impossible to pick out of the mix, so loud and so subtle at the same time, until I just have to believe it’s the final instrument – the sound that bubbles in between all of the tracks, everything and nothing at the same time. The element that makes a song good or not, well mixed or not, a hit or a flop. Sometimes it’s a feeling, sometimes it’s an actual sound. When that final piece reveals itself in a song, I can float in it, become it, and insert myself into that mysterious and thrilling space. I feel like it’s been made just for me.

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30 Years’ Worth Of Music Making… And Beyond

by Jamie Hutchings

Jamie Hutchings
Photo by Jared Harrison


Hi, my name’s Jamie Hutchings; I’m a singer, songwriter, guitarist, percussionist, and sometime improviser and producer. I’m based in Sydney, Australia.

Music was a given in my family household as my dad was a woodwind session cat. He’s 83 now, but he still gigs here and there, but as kids, it was his bread and butter. So all of us inherited his musicality in some form, but still (particularly with my brother and I), we found ourselves gravitating more and more towards rawness and originality over professionalism and technique. I was looking through my mum and dad’s record collection the other night, and it’s almost exclusively Frank Sinatra records. Sinatra is amazing, but the overexposure to music in a show-biz format perhaps contributed to us going in a different direction!

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We Don’t Play the Music Industry Game

by Sonic Ctrl

Sonic Ctrl


We believe in following our whims and passions through music as our creative outlet. We are accountable to no one but ourselves and use ‘Sonic Ctrl’ as our platform to indulge our feelings and emotions, whether funny or serious. We are going wherever our musical muse takes us. For us, it’s not a contradiction to write an insanely catchy pop-punk song and next write a groovy emotional tune because they all come from our personal experiences, outlooks, and attitudes. Likened to someone listening to Ray Charles at one moment but blasting The Chats the next.

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Gathering Flowers

by Richard Thomas a.k.a. Mint Biscuit

Richard Thomas aka Mint Biscuit gathering flowers in his parent's garden


I spent three or four years as a student in school and University, playing in rock bands and organizing music events. These years were the best of my life, filled with music, love, learning, friendship, and joy. It was also a tumultuous time, with stress, illness, and injury plaguing my life. In the band “Mint,” we played loads of gigs around my University town of Durham and recorded an album, “Leaving It Late,” which marked the culmination of our collective collaboration with a flourish.

After going “off the rails” slightly for this short period, I had to force discipline back into my life. I quit the rock and roll lifestyle completely and returned to being the hard-working, sports-playing, family-oriented guy I was before. I played rugby four times a week. I completed my degree eventually and got married to my girl.

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The Perfect Jumping-Off Point

by Jalen Doughty

Jalen Doughty


In May this year, I found myself becoming disillusioned with music, something I never thought would happen. No matter how many hours I’d put into creating pieces, they always felt hollow and meaningless – maybe a technique here or there was exciting, but for months, it all felt like nothing.

With roots firmly in ambient and noise music, this was an unsustainable position to be in, and I felt like giving up.

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Scene from an Art Heist

by Nick Stevens a.k.a. The Eighty Six Seas

Nick Stevens a.k.a. The Eighty Six Seas


The most vivid artwork I’ve ever seen was a series of blank frames.

The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.

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Release It Creatively

by Simon Grundy a.k.a. Subtle Amnesia

Simon Grundy a.k.a. Subtle Amnesia


Subtle Amnesia is a one-person band prioritizing new sounds. With these sounds, I introduce philosophical ideas and the more grim aspects of reality to my music. I am a spiritual person who has had my fair share of mental health issues, and that ingrains itself into my music quite heavily.

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