Scene from an Art Heist

by Nick Stevens a.k.a. The Eighty Six Seas

Nick Stevens a.k.a. The Eighty Six Seas


The most vivid artwork I’ve ever seen was a series of blank frames.

The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.

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Release It Creatively

by Simon Grundy a.k.a. Subtle Amnesia

Simon Grundy a.k.a. Subtle Amnesia


Subtle Amnesia is a one-person band prioritizing new sounds. With these sounds, I introduce philosophical ideas and the more grim aspects of reality to my music. I am a spiritual person who has had my fair share of mental health issues, and that ingrains itself into my music quite heavily.

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Getting Back My Wings

by Jessica DeSimone of Warren Teagarden and the Good Grief

Warren Teagarden and the Good Grief
Photo by Mr. Dodgy

Since I can remember, I’ve been performing. My earliest memories are dancing around my childhood home, singing along to my mom’s records, or doing what I can only describe as a cobra pose inside the giant planter boxes at our local shopping mall, pretending I was Ariel from The Little Mermaid. I used to feel like I could fly when I sang, like I had tiny wings sprouting from my back.

As I got older, my grandma taught me how to play piano, back when my hands were so tiny I couldn’t hit an octave. In school, I added choir, theater, and dance team to my repertoire, and I was sure I would be a big theater star one day. But of course, pragmatism won, and I went to college for something far less fun and ended up in a career even less fun, leaving a part of myself behind.

For years, my creative self was suffocated. I was dying to tap back into the freedom that came with being on stage, that rare out-of-body experience when you get to leave yourself behind and become something else entirely.

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The River Slowly Gets Drier

by Ben Richel

Ben Richel


In France, when I ask: “What kind of music do you listen to?” most people answer “J’écoute de Tout” (I’m listening to everything).

When people ask me what kind of music I do, I say “Le Tout”!

It’s my own musical genre, my philosophy. It’s an approach of reinforcing ties instead of retiring ourselves in a caricatural box behind some society walls.

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The Górczyn Kids

by Adam Majdecki-Janicki

Adam Majdecki-Janicki & Mati from Górczyn, Poland


2023 marks 25 years since I started recording and performing music and noise. It is the year of retrospect and reconstruction of my first ideas and also the year of my first ever vinyl release under my birth name.

I started in 1998 with a classical guitar and a tape recorder. Those were the rimbaudesque days full of creative joy, escapade, expedition, and surprise – from first inspirations like Kurt Cobain, Syd Barrett, and Jim Morrison to other discoveries like Budgie, Nektar, or Hawkwind – when I started buying vinyl around the year 2000. Some of these recordings have been now released on a compilation album on the Polish netlabel Free Arts Lab.

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Epilepsy

by Martin Ejlertsen

Epilepsy from The Admirer by Black Light White Light


How can you convey a song about a disease? Especially a disease like epilepsy that most people have heard about but probably know very little about. And can I express the feelings and the hopelessness associated with having a child with this disease without it being simply too much for others to listen to?

Among other things, it was with these thoughts that I started writing the song Epilepsy. A song that has now become very central to my album The Admirer, which is my most personal album to date. The song was also the first single from the album, and was released on International Epilepsy Day. That all made sense.

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Pushing The Boundaries By Collaboration

by Hevi Levi

Hevi Levi


Asher Swisa and I share a profound connection that has spanned many years, our paths intertwining naturally within the music world.

Our fateful encounter occurred at an electrifying event hosted by my label during the esteemed Amsterdam Dance Event (ADE). Playing together that night only deepened our bond, and it was clear that our shared passion for music would lead us to embark on a creative journey together.

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No Easy Way Out

by Ezra Meredith of Supplemental Pills

No Easy Way Out by Supplemental Pills


On our sophomore full-length album, “No Easy Way Out,” we examine tragedy underneath a bed of pulsating drone-rock following the murder of our bass player Aron Christensen in 2022, inspired by artists like Spacemen 3, The Velvet Underground, and The Brian Jonestown Massacre.

We do a lot of things: heavy blues, psychedelic, and atmospheric rock. It’s not as psychedelic/jammy as our first record. It’s more dark and brooding. It has some jams in it, but it’s far more focused.

Tragically, the biggest story isn’t our sound but the death of Aron Christensen, who was murdered while hiking with his four-month-old puppy, Buzzo. Inept police work, a lazy district attorney, and many questions that will probably never be answered have led many news outlets, including the Wall Street Journal, to write about Aron’s mysterious murder. However, before his passing, we were finishing what would become No Easy Way Out, an eight-track collection of songs that explore, examine, and contemplate life, death, and how nobody makes it out alive.

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Good For Nothin

by Klay Cartier

Klay Cartier
Image credit: Rachael Baker @RWPhotography

When I wrote ‘Good For Nothin’, I knew that I wanted something that was different from what I’d done before; I wanted something that would clash with the music I’d released before.

So my producer played this loop of a guitar, and it reminded me of the song that’d play when Cowboys had a standoff; it sounded dangerous and captivating but once I heard the percussion, I was immediately excited! I’d never done something that was this brash and dark; I wanted the entire song to be like that.

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On Hemingway, America, and Music

by P.J.M. Bond

P.J.M. Bond


Reading the stories on this website is a humbling experience, seeing that every person has been through so many things — both good and bad — and it only goes to show the evils of ignorance and presumptions, which may just rid one of many a great encounter. At the same time, acknowledging the scope of everybody’s inner world can become a maddening experience. When stuck in traffic or when boarding a bus, the realization that everyone there has a family to go home to (or not), with their own individual problems and pockets of happiness, who are having children, each with their own proper names and lives, etc., etc. can drive one crazy.

Did you know that there is a word for this? Sonder, or “the realization that each random passerby is living a life as vivid and complex as your own.” I am afraid some people never have this feeling, which is unfortunate for themselves and everyone around them. But I am also convinced that an artist cannot live without it. The artist manages to internalize other people’s stories and turn them into art: in doing it, the artist makes the ocean’s vastness intelligible, drop by drop. In keeping with this analogy, we find that some stories are constantly and haphazardly pumped from the water’s surface, whereas others must be sought for at the depth of the Mariana trench.

I fear that my story belongs to the latter category, but don’t pity me because I’ve already come to terms with obscurity. Now let this be the introduction to my own little story about how a Dutch bloke decided to write an album based on the first publication by America’s greatest author.

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