
This is an account of ‘Pink Mirror’, the second album by UK singer-songwriter Jeremy Tuplin, by myself, Jeremy Tuplin. I don’t intend to provide any absolute or dictatorial interpretation of the songs on the album, or the record as a whole, as I would never want to do that, but I’m happy to shed some light on the thought processes and ideas that led to them, and it, having kindly been asked to by mySoundposter.
Indie
The Tomlinson Tapes
by c o m r

Throughout our recent albums, we’ve strung a story. The story of a beloved friend. The story is continuing to this day, as he is still on his journey, we are only the messengers.
It began in New Jersey. Jeffrey Tomlinson was a young boy. He’d faced problems with his mother. She hid things from Jeffrey; things he may never have wanted to find.
Believe in Your Ability to Lead a Creative Life
by Maylin Lei

Credits to ilyaimy.com for providing the cover picture
My EP, When Pigs Fly, is the first body of music I’ve ever released. I purchased my first guitar little over a year and a half ago and only began writing songs after a year of learning to play guitar. However, when I found out how enjoyable it was to write songs, I knew that I was onto something.
Metapop Track-by-Track
by Luis DH

For most artists, songs and albums are like snapshots of periods of time and their lives at those moments. Creating and expressing yourself can be both a healing and a learning experience – to know more about yourself and the world around you.
Last year I went through the worst and messiest breakup ever. I saw things I thought I would never see. I got to witness the ugliest part of human nature, and it was truly heartbreaking – and the ultimate test in life.
But I survived.
And I decided to express all those feelings through songs.
This is the story behind every track on my latest album, “メタポップ (Metapop).”
Exploring the Ghosts of the Past
by SYBLING

Hello there!
We are sisters Alice Makwaia and Mariana Quinn-Makwaia. We make up the duo SYBLING.
We have lived in New York City just about our entire lives, and we like to think our music mirrors our NewYorker-ness (eclectic and a bit mysterious).
Thawing Out From Depression
by Red Bovine

To begin, the album took about a year to finish, from writing to final production. Ultimately, I think it describes a period of thawing out from a pretty deep depression. The loss of several family members, a big move from Illinois to Oregon to live closer to my sisters after graduating from college to begin processing a lot of dark stuff that was hanging over me. So this album was a product of that time, of coping, thawing and trying to navigate my way back to somewhere that would hopefully be a lot healthier.
Reconcile Differences Through Music
by Joseph Gara

It’s hard for me to write about my music without being pathetic. That’s why I wrote this text about the backgrounds of my band Reddmond & Joey in the form of an interview.
Why I started Vlogging aka Sunday Songwriting
by Aviva

I just wanted to keep it real.
Kind of like how meditating gives us a focused space for our peaceful energy to flourish, having a vlog has helped me to take my connection with my listeners to essentially a sacred space.
I often think deeply about the whole picture and how can I as an artist create safe spaces during quality entertainment experiences. I want to give people a window into my songwriting process and other aspects of me being because we are all creating this world together. I get inspired often by intense things clouded by introverted struggles with no release but music. And I didn’t want just those intense songs to be all I gave the world. Perhaps a good analogy is that not cleaning for weeks results in a big beautiful cleaning. And weekly songwriting is like weekly maintenance cleaning.
No Turning Back
by Daniel Olert

I think, at heart, I was always a musician. I would always have a tune in my head and would spend my free time messing with an instrument or audio software. My heroes where rock stars. However, as I grew older, I felt pressure on myself – from both myself and from others – to fit into a certain expectation.
I wanted to live up to those expectations, so music became secondary. I pursued a degree in engineering to live up to those expectations, but I never felt like I fit in. I continued my musical development after classes as an outlet, but it wasn’t enough. Upon graduating, I realized that there was a difference between who I was trying to be and who I actually was, so I began a musical journey of finding myself.
Learn To Fall
by Yanny

As a kid, I liked to skate. I wasn’t that great, but it was never about that. It was about feeling the board beneath my feet roll, almost like an extension of myself. It was all about the ride. I remember when some of my friends that didn’t skate would want to learn, they’d always ask me to teach them what they needed to know and I ever had the same response; “Learn to Fall.”