I often think about injustice in life. Sometimes, circumstances turn out so that the life you lived yesterday no longer exists today.
I could feel it when I left my hometown to go to university and left my closest friends behind. I still miss them very much because we can’t see them often.
During my childhood in Savoie, France, most of my free time was devoted to one activity: imagination. I imagine grandiose destinies but also standard and common stories: From fishermen in the Philippines to Western rockstars, from 19th-century wars to post-collapse scenarios, from my Star Wars spin-offs to projecting myself on stage later… I could imagine revolutionary flying machines, and the same day imagine the realistic routine of the today’s French middle class (I am myself in the middle, like Malcolm!)
For me, everything is interesting.
My life has been built by imagining and connecting lives. It was obvious that one day I would invent characters, partly because expressing my whole personality cannot be done by simply embodying a predefined, cliché role given by society.
My story starts with my Mexican parents. They eloped from Mexico City then had me in Los Angeles. Their early gift to me was a stand-up piano for kids. According to my mom, I spent most of my time on it, writing songs and playing them over and over. When I was a teenager, I was the frontwoman in a punk/indie cover band, then played in a few post-rock bands. I became obsessed with the label Thrill Jockey, and moved to Chicago because they were based there. My sister was my biggest champion—she accompanied me on the long drive. Even though she slept most of the time in the passenger seat, her love and support meant the world to me.
Vinyl Head is a LP made by Vinyl Motherfuck, the songs of the album talk about problems and thoughts Leo (aka Vinyl Motherfuck) had since his last (good) work, the “Spring Is Out There” EP.
This record has 11 songs written and composed by Leo, and this songs are (in his own words) “good, catchy, and a little mature” compared to his previous work.
As everyone knows, musicians often write songs for someone’s death. Before I became a musician, I was disgusted with this trend. Do they have to sing someone’s death on purpose? I was thinking like that.
Lizette Roman-Johnston (DJ ZETTEY Z) grew up in a musical family, which was intimidating for a long time, but eventually, she worked up the courage to put out her first album called “BORDERLINE,” a 13-track work centered around her borderline personality disorder. Through the power of electronic bedroom pop, she touches upon the highs and lows of relationships, young adult life, and mental health.
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