Collecting And Enjoying Sonic Elements And Influences

by Camilo Palma a.k.a. Ap Ducal

Ap Ducal


Over the past year, I’ve been developing my new album, “U,” by my moniker Ap Ducal, which continues in the sonic sequence of previous records, but this time from a more personal perspective. The sound, the process, and the timing of this album are imbued with the idea of collecting and enjoying the sonic elements and influences that have had the most impact on me.

Perhaps it is a form of nostalgia or simply a tribute to music styles like post-punk, new wave, and even some compositional elements of jazz in a long-play format. I tried to incorporate these elements into the four tracks of the album. An example is the theme “UUUU,” based on The Cure’s song “A Forest.”

These four themes were recorded entirely in my home studio, using only four elements per song in a band-like format, essentially the format I’ve been most familiar with in my career. The challenge was doing this as a solo artist with unconventional instruments in my context.

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30 Years’ Worth Of Music Making… And Beyond

by Jamie Hutchings

Jamie Hutchings
Photo by Jared Harrison


Hi, my name’s Jamie Hutchings; I’m a singer, songwriter, guitarist, percussionist, and sometime improviser and producer. I’m based in Sydney, Australia.

Music was a given in my family household as my dad was a woodwind session cat. He’s 83 now, but he still gigs here and there, but as kids, it was his bread and butter. So all of us inherited his musicality in some form, but still (particularly with my brother and I), we found ourselves gravitating more and more towards rawness and originality over professionalism and technique. I was looking through my mum and dad’s record collection the other night, and it’s almost exclusively Frank Sinatra records. Sinatra is amazing, but the overexposure to music in a show-biz format perhaps contributed to us going in a different direction!

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D.I.Y. or Die

by Iliya Apocalypse a.k.a. One Hour of Full Life

Iliya Apocalypse


Hello, my name is Iliya Apocalypse. I have been making music for over 17 years. I play various musical instruments, and I am interested in DIY recording in various styles, from punk rock to chiptune, post-rock to ska, and alternative to bitpop. It just so happens that I’m bored of making my music in one style, which is probably why I have a tiny audience of listeners, or maybe because my recordings sound too raw and unprofessional in contrast to my colleagues, but I like it that way.

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Release It Creatively

by Simon Grundy a.k.a. Subtle Amnesia

Simon Grundy a.k.a. Subtle Amnesia


Subtle Amnesia is a one-person band prioritizing new sounds. With these sounds, I introduce philosophical ideas and the more grim aspects of reality to my music. I am a spiritual person who has had my fair share of mental health issues, and that ingrains itself into my music quite heavily.

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Bugs Are Really Cool

by Lilac Boy

Lilac Boy - Bug2000


Bugs are really cool. I own a bunch of bugs encased in glass and you can look at them and go “Wow, that’s cool.” My favorite is a flower mantis that sits atop one of my shelves. I like how it looks. I wanted to make songs about bugs, so I did. In my opinion, you wouldn’t call a crab, a spider, or a shrimp an insect, but I’m perfectly comfortable calling them bugs. I even think I am a bug sometimes too. We’re all bugs if you really think about it.

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Penelope & Owlsley: Burning In The Sound

by Owlsley Burroughs

Penelope & Owlsley


Penelope Arvanitakis and I go way back to 2005. I would spot her at open mics in mysterious and leafy Belgrave, the creative centre of the Melbourne hills, and simply marvel at her talent. The cadence of her voice was like no other, her piano playing was so highly advanced for one so young, and her songs were quirky, honest and deep. She was a cut above the rest.

In 2007 we recorded three songs together at her parents’ house, one of mine and two of hers, and then … we promptly fell out of touch for 16 years!

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Prince, Black History Month and The Spoken Word

by Lee Christian

Prince, Black History Month and The Spoken Word by Lee Christian


I have been a Prince fan since I was 8 and first heard Let’s Go Crazy, with its ear grabbing pyrotechnic guitar ending. Since then, I’ve learned from him, copied him and even just ended up doing the same things as him by osmosis or naturally. His work ethic, energy and diversity are three touchstones of my own ‘career’ and I have many strange ethereal intangible links to prince and ‘signs’ attached to many of my fondest moments in music so far that it’s almost as if he’s been a musical guardian angel since his passing in 2016 – an event that hit me so bad that I bought a streaming package, set up a little shrine on screen and DJ’d for 3 days straight, so fans had a place to hang, and I had some way of expressing my own sense of loss and gratitude for him voluminous output and inspiring presence in my own life. My phone went off non-stop that first day, I was associated with him so much by my circle of friends, they were checking that I was ok!

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I wasn’t thinking about what I was going to think about

by Ben VanBuskirk of Blackout Orchestra

Ben VanBuskirk aka Blackout Orchestra


I can’t talk about music.

Okay, that’s not entirely true. I have the language. I can talk about what a particular song means to me, or I can talk about what that drummer is doing on the hi-hat that makes you know it’s them. Music history is an easy one – I’ve devoured all the rock bios, read all the critical analysis, seen all the interviews. I eat, sleep and breathe music. So why does it feel hard to talk about?

Not to sound all new-age about it, but music is elemental. Larger than life. When I was a kid, like most kids, I was into superheroes. The bright colors, the high stakes, the every moment of a story that meant something important to the larger narrative. As I grew up, music was the only “adult” thing that felt that exciting, that vital, that universal and yet intensely personal.

So of course I became a musician.

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Life Is Just A Mashup

by Alex Black

Alex Black


For those who don’t know my name is Alex Black, but I go by many names. I’m Alex Black. I’m Flash The Stampede. I’m Johnny Louisville. Hence the The Man With Three Faces moniker. When I practice martial arts I’m Three Chāoláng (超狼) LOL. My main creative persona is Alex Black, however. I’m an artist in every sense of the word. A dreamer, hard worker, flamboyant, charismatic, experimental. I’m gorgeous, and one of the most dopest people walking this planet. I’m one of one, I do what I want, when I want & how I want which confuses people.

I’ve said this somewhere else but people see a 6’5 dude from Brooklyn, muscular, with an androgynous pretty boy style, constantly rocking something flamboyant. They’ll see this dude pull up in a streetwear brand from London, or maybe he’s rocking some vintage designer clothes from the 80s and 90s, mixing it with crazy footwear and eyeliner. An eccentric human being, but his talent and charisma is undeniable. That’s who Alex Black is.

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Radical Presence

by Alexander Jones aka THATS NOKAY

Photo Credit: Jake Hanson 


A few years ago I found myself banging away on a $12 Casio from goodwill in a basement in Edmonds making some weird experimental pop songs.  Soon a pandemic was upon us and I decided to buckle down and learn how to make beats and use Logic to record.  Some friends gave some pointers and drum kits to download, and soon I was off and running, making beat tapes and collaborating with vocalists over the instrumentals.

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