by Jonas Franck a.k.a. Corpse Feet
Why call it Corpse Feet? No one, to my knowledge, can survive death, so I guess we’re all just corpse feet walking until we lay…
Here’s how it went.
It was in the late 70s, and I was just a few years old. I had seen a man with his guitar on our black and white TV, probably Elvis Jailhouse Rock, and immediately wanted to be that. So, I grabbed a tennis racket at a birthday party and got up on the table to do my first show.
Continue readingby Camilo Palma a.k.a. Ap Ducal
Over the past year, I’ve been developing my new album, “U,” by my moniker Ap Ducal, which continues in the sonic sequence of previous records, but this time from a more personal perspective. The sound, the process, and the timing of this album are imbued with the idea of collecting and enjoying the sonic elements and influences that have had the most impact on me.
Perhaps it is a form of nostalgia or simply a tribute to music styles like post-punk, new wave, and even some compositional elements of jazz in a long-play format. I tried to incorporate these elements into the four tracks of the album. An example is the theme “UUUU,” based on The Cure’s song “A Forest.”
These four themes were recorded entirely in my home studio, using only four elements per song in a band-like format, essentially the format I’ve been most familiar with in my career. The challenge was doing this as a solo artist with unconventional instruments in my context.
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“The Opposite Of Shapes” is a term I’ve coined for the sound I hear in my favorite songs – the one I strain my ears for, impossible to pick out of the mix, so loud and so subtle at the same time, until I just have to believe it’s the final instrument – the sound that bubbles in between all of the tracks, everything and nothing at the same time. The element that makes a song good or not, well mixed or not, a hit or a flop. Sometimes it’s a feeling, sometimes it’s an actual sound. When that final piece reveals itself in a song, I can float in it, become it, and insert myself into that mysterious and thrilling space. I feel like it’s been made just for me.
Music is the closest thing to God for me, to spirituality. To freedom of expression and all things mysterious in the universe. It means more to me every day. I dabble in whatever sounds I like under a single name — Plastic Dents — doing my damndest to follow my muse and subvert audience expectations, as well as my own.
When I released my first single, ‘Always Time’ as ZEETRICITY!, I found it incredibly moving how many people resonated with the subject matter; for such a personal song to have such an effect reminds me exactly why I began writing music in the first place.
I have always believed that music is the most powerful form of art because it is a constantly evolving medium that takes on various forms. However, its intention always remains the same: to resonate with the listener.
There is a special connection between the creator of the music and the one listening to it, creating a small window of insight into each other’s lives.
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Hi, my name’s Jamie Hutchings; I’m a singer, songwriter, guitarist, percussionist, and sometime improviser and producer. I’m based in Sydney, Australia.
Music was a given in my family household as my dad was a woodwind session cat. He’s 83 now, but he still gigs here and there, but as kids, it was his bread and butter. So all of us inherited his musicality in some form, but still (particularly with my brother and I), we found ourselves gravitating more and more towards rawness and originality over professionalism and technique. I was looking through my mum and dad’s record collection the other night, and it’s almost exclusively Frank Sinatra records. Sinatra is amazing, but the overexposure to music in a show-biz format perhaps contributed to us going in a different direction!
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Lissa and I began performing and recording together in Los Angeles in 1980. Our first band was called ‘Live Nude Girl’ formed during the post-punk era. Angular, with arcane drum-machines, synths, guitars, and theatrical graphic visuals. I am an American-born Australian, who grew up in Sydney, went to design school in Melbourne, then after starting my career in visual communication design, relocated to the USA to freelance in design and get serious about song writing. To find collaborators, starting bands, and doing solo singer-songwriter spots around LA, while designing in the daytime.
by Iliya Apocalypse a.k.a. One Hour of Full Life
Hello, my name is Iliya Apocalypse. I have been making music for over 17 years. I play various musical instruments, and I am interested in DIY recording in various styles, from punk rock to chiptune, post-rock to ska, and alternative to bitpop. It just so happens that I’m bored of making my music in one style, which is probably why I have a tiny audience of listeners, or maybe because my recordings sound too raw and unprofessional in contrast to my colleagues, but I like it that way.
by Ralphy Grey
Hello dear music lovers,
I’m Ralphy Grey, a Berlin-based music producer with a powerful retro electro-house pop style, creating a unique musical blend. Today, I’d like to tell you what makes me unique as a musician. And best of all, on 15 December, my brand new single, “Dance With Me,” will conquer the music scene.
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You’ve found me!
Not by coincidence.
Simply put, everything has led you here.
The time is right: Winter is coming to Europe, and I’ve just finished a hot EP to warm your heart and quench your thirst for handmade music.
Here is the EP “Snow Flies In Circles All Nite “. Three musical works that didn’t quite fit into the previous album, “Flawed Music For Bored Avatars,” and demanded their very own framework. The three pieces form a marvelous triangle for discovering and understanding myself as an artist.
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