Sometimes used interchangeably with “guitar pop rock”, in the mid-1980s, the term “indie” began to be used to describe the music produced on punk and post-punk labels. During the 1990s, Grunge bands broke into the mainstream, and the term “alternative” lost its original counter-cultural meaning. The term became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s it developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success.
– Wikipedia: The Free Encyclopedia
I often think about injustice in life. Sometimes, circumstances turn out so that the life you lived yesterday no longer exists today.
I could feel it when I left my hometown to go to university and left my closest friends behind. I still miss them very much because we can’t see them often.
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Hi, I’m Raging Flowers, a singer-songwriter-producer from Auckland, New Zealand. My primary instrument is the electric guitar. I make jazzy self-help indie pop that celebrates the diversity of feelings. My music is about truthfulness, exploration, and hope.
My music career has had an unusual start. I’ve been a long-time music learner, but I decided to pursue a career in tech. I studied Computer Science and had a career as a Software Engineer. I worked for some of the top software companies in New Zealand. I was a star Software Engineer in various fields, including music, blockchain, and AI. Back in my programming days, my ambition was to run a small business of my own.
Continue readingby Liv Luce
Writing music has been a constant in my life. I was the kind of kid who sang constantly to myself, my friends, my parents, stuffed animals, anyone, anything. For a while, I had a pen pal with whom I’d exchange song lyrics. I’m pretty sure there was one about a baby swallow I tried and failed to nurse back to health in my parents’ attic.
I began taking piano lessons around the age of nine. Being an introvert, I spent many a school break in the music rooms playing and composing songs. Then, aged 12, I plucked up the courage to approach other musicians about forming a band. It was then that Suzie (guitarist in my first band, Caliber) introduced me to Radiohead and Nirvana. I learned bass and have been in bands ever since.
Continue readingby Jonas Franck a.k.a. Corpse Feet
Why call it Corpse Feet? No one, to my knowledge, can survive death, so I guess we’re all just corpse feet walking until we lay…
Here’s how it went.
It was in the late 70s, and I was just a few years old. I had seen a man with his guitar on our black and white TV, probably Elvis Jailhouse Rock, and immediately wanted to be that. So, I grabbed a tennis racket at a birthday party and got up on the table to do my first show.
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Hi, my name’s Jamie Hutchings; I’m a singer, songwriter, guitarist, percussionist, and sometime improviser and producer. I’m based in Sydney, Australia.
Music was a given in my family household as my dad was a woodwind session cat. He’s 83 now, but he still gigs here and there, but as kids, it was his bread and butter. So all of us inherited his musicality in some form, but still (particularly with my brother and I), we found ourselves gravitating more and more towards rawness and originality over professionalism and technique. I was looking through my mum and dad’s record collection the other night, and it’s almost exclusively Frank Sinatra records. Sinatra is amazing, but the overexposure to music in a show-biz format perhaps contributed to us going in a different direction!
Continue readingby Sonic Ctrl
We believe in following our whims and passions through music as our creative outlet. We are accountable to no one but ourselves and use ‘Sonic Ctrl’ as our platform to indulge our feelings and emotions, whether funny or serious. We are going wherever our musical muse takes us. For us, it’s not a contradiction to write an insanely catchy pop-punk song and next write a groovy emotional tune because they all come from our personal experiences, outlooks, and attitudes. Likened to someone listening to Ray Charles at one moment but blasting The Chats the next.
by Nick Stevens a.k.a. The Eighty Six Seas
The most vivid artwork I’ve ever seen was a series of blank frames.
The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.
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How can you convey a song about a disease? Especially a disease like epilepsy that most people have heard about but probably know very little about. And can I express the feelings and the hopelessness associated with having a child with this disease without it being simply too much for others to listen to?
Among other things, it was with these thoughts that I started writing the song Epilepsy. A song that has now become very central to my album The Admirer, which is my most personal album to date. The song was also the first single from the album, and was released on International Epilepsy Day. That all made sense.
Continue readingby Corynne Ostermann of Natural Velvet
My name is Corynne Ostermann; I’m a multidisciplinary artist and musician playing bass & providing vocals for the Baltimore-based group Natural Velvet.
Natural Velvet started in 2012, and I’ve been involved since the beginning, as well as with my bandmates Spike Arreaga (guitar), Kim Te (guitar), and Greg Hatem (drums, production). I genuinely feel so lucky to have had my bandmates’ attention for as long as I have had, and as a result, I’m very protective of them and the long-term sustainability of our project.
Continue readingby Benjami of Maa ilmasta
Since the 1960s, Finland has had a rich tradition of instrumental rock, jazz, and fusion led by world-class musicians and groups. This tradition possesses unique stillness and melancholy, characteristic of the Finnish mindscape. Influences from folk music can often be heard, where the most delicately composed minor chords tell stories of beauty and joy rather than sadness.
Luova Records continues this tradition by releasing the second album of my band, Maa ilmasta. The title of the album is Kaunis kesäkaupunki, ’beautiful summer city’. The name is humoristic in a very Finnish, ironic way. More than a genuine description of a specific city, the statement can be used as a cheap compliment for essentially any Finnish city—even the less outstanding ones.
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