Sometimes used interchangeably with “guitar pop rock”, in the mid-1980s, the term “indie” began to be used to describe the music produced on punk and post-punk labels. During the 1990s, Grunge bands broke into the mainstream, and the term “alternative” lost its original counter-cultural meaning. The term became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s it developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success.
– Wikipedia: The Free Encyclopedia
A lot has changed since high school; you get older, you get just as confused, and you don’t see those people that you used to see. You drift apart from those people that you were closest to. There’s nothing wrong with that, you go to different universities and fall into different friend groups, and you change as a person.
One cold November evening, the rats escaped. My future bandmate and current roommate Claire and I scrambled to get the rats back into their cage, still half asleep. Now that they knew how to get out, though, it was only a matter of time before it happened again. And happen again it did. After a few nights of rude awakenings, I realized that to stop the rats, I would need to become something else. A worthy adversary. And thus Bad Rat was born.
My story. It started with hosting/producing a public cable access TV show out of a mid-western Canadian city that focused on the local music scene in 1989. I was a teenager who wanted to know more than just what mainstream Top 40 could offer me. Though I had an extreme interest in music, I knew nothing about playing it myself other than some power chords I could figure out, by luck and patience, listening to some Heavy Metal and Punk songs. The first song I partially was able to play was “Shout At the Devil” by Motley Crue. Then some Blues chords would follow, and an individual mix began to take place. Wonders what could be next?
There is no other band that we know of, which sounds like JUST LIKE HONEY. Maybe that is because we never play cover versions of other people’s songs. We recently noticed that also Joy Division never played any cover versions. We love this thought.
Ohmwrecker was formed out of complete chaos and desperation.
After recording 20+ albums by myself as Six Car Collision for 18 years, I moved from Boston to Vancouver Island, British Columbia, and was unable to write and play music for about 4 years. I was just blocked… completely stuck and unable to write or say what it is I needed to say. For the first time since I’d started writing and performing, I was completely helpless.
Recently, I was playing a show at a wonderful spot in Nashville, TN called Douglas Corner. It was a Wednesday night, and just before I was about to go on stage, a buddy texted me saying, “What are you doing Friday night? Do you want to go to the Ryman with me?” If you aren’t familiar with the Ryman, it’s a beautiful venue located in downtown Nashville, just off Broadway. It’s called The Mother Church of Country Music, many legends have played there & continue to play there, and the Grand Ole Opry was born out of that room. It’s truly legendary. Needless to say, if someone asks you to go to the Ryman with them, you say yes, regardless of who’s playing. So of course, I immediately responded to his text with “Hell ya! Of course, I want to go to the Ryman! Who’s playing?”
I have met the enemy, and it is creating an album. Don’t get me wrong, this is what I do and it’s practically a compulsory behavior, but sometimes it is far more involved than that. Sometimes, it’s the creative equivalent of childbirth as I understand it – hard as Hell and painful (drugs optional!), but completely worth it.