by PH Mazza

The story behind “Fake Artists”, although still recent, dates back to mid 2019 where I was invited to go to one of those hipster parties in an abandoned loft called “Solar dos Abacaxis”, something that the artistic bourgeoisie loves to turn into a stage for events (kind of like a reference to the Berlin experience, but which is already dated by the clichéd pedantry of this same privileged/intellectual bubble).

The photo above is me outside the Koninklijk Theatre where Tori Amos played Amsterdam in September 2017. I was lucky enough to get last minute tickets the very day before I was scheduled to fly home after my European tour. Needless to say, it was all very auspicious and I recently started to think about how many songs I can play of hers, and how by playing them they’ve become a part of me. She also has a special approach to doing covers. I have also interpreted many songs by other artists in the meantime and I’m also keen to try my hand at a few that intimidate me! Here is some background and a few tips for nailing that cover song.