The Nine Unknown Men is the new album by Danish dark-wave romantics, Fervency. A concept album, each song is one of nine sacred books, protected by one of the nine guardians entrusted with the ancient knowledge, wisdom, and technology deemed too dangerous for mankind to possess.
Love songs have been done to death. They are not new. But do they necessarily have to be all-in on either the sugar-sweet and romantic side or the heavily emotional and melancholic breakup side?
Can’t they be written in a detached way seen through glasses of the harsh conditions of reality? With a sarcastic and humorous tone? With a hint of cynicism? Even about objects instead of people? Can’t the story behind be as interesting as the emotions?