Facing limits

by Mauro Iuliano

Facing limits by Mauro Iuliano
At first, it was all about expanding my limits. Likewise many artists, I had always seen them as a barrier, before understanding, they were my best friend.

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Future Nostalgia

by Catherine Swan

Future Nostalgia by Greg Connors

Photo By Gretchen Pellaton

Recently I had the opportunity to interview Greg Connors about his new single “Future Nostalgia.” As I was listening, I was so drawn into the track, which prompted further listening to Connors’ vast cannon of eclectic material. I found his songs speak to me in a familiar voice, both vulnerable and comfortable. His melodic, yet ‘cut the crap’, self-styled phrasing dances with a deliberately off-kilter, sweetly angular guitar motion.

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The Number Of The Beast

by Chris Olley (Six By Seven)

The Number Of The Beast by Chris Olley of Six By Seven
“Are you gonna be ok speaking to him?” she says.

“Yeah sure, why?” I say.

“It’s just that some people totally freak out when they meet him,” she says.

I’m standing outside of a studio door at BBC 6 music, and the nice girl who is chaperoning me is asking if I’m gonna be ok meeting Bruce Dickinson.

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A Long Journey Over Broken Borders: from the Chicago Tapes to the Digital West

by John R. Campbell

A Long Journey Over Broken Borders: from the Chicago Tapes to the Digital West by John R. Campbell
There were a few years there–the late 60’s and early 70’s–when underground FM radio thrived in Chicago. FM was new then, not yet corporate, and it offered, on weak frequencies, some very eclectic and adventurous broadcasting. I’d stay up late at night and record from the radio—musicians I’d never heard, but who fascinated me: Sibelius, Rahsaan Roland Kirk, Skip James, Ornette Coleman, Doc Boggs. The tapes had no genre boundaries or even taste parameters, really–half the time I didn’t even know if I exactly liked the stuff I was recording. I didn’t yet have enough musical context to fully appreciate it. But I craved the soundscapes the tapes created. Avant garde and folk musics seemed much the same to me. It was all musical texture—fresh and new, especially the stuff that was old.

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Finding a Balance between Self-Expression and Self-Isolation as a Musician

by Isabel Tarcson

Finding a Balance between Self-Expression and Self-Isolation as a Musician by Isabel Tarcson
I was taught that to be a true musician, one has to make a choice between a social life and success. This is a concept that I have struggled with for the past two years before writing Sunset Club. I first became introduced to the idea of being a performer with classical music, mainly opera. To be a successful classical musician, one must spend all their free time practicing, learning, thinking, and breathing music. That isn’t the life for everyone.

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Indie Folk Singer-Songwriter Tatyana Kalko’s Three Step Guide to Transcending Emotions and Expressing the Divine

by Tatyana Kalko

Indie Folk Singer-Songwriter Tatyana Kalko’s Three Step Guide to Transcending Emotions and Expressing the Divine

Almost anything can be a metaphor for songwriting. Prying open a jar of pickles? Yes. Playing Russian Roulette? Sure. Tending to a plant. Why not? If writing songs is inseparable from life itself, then it must fall somewhere between meditating and giving birth, at the equator of zen and utter pain; the middle path between the sacred and mundane.

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